According to Color Grading Central, these are a part of the development roadmap. As with everything in Color Finale, it adds secondary colour corrections as individual grading layers, which basically means you can add as many as you wish.Ĭurrently missing from the plug-in are masking and tracking capabilities. In Color Finale, for each secondary you select one or a combination of colours by clicking the corresponding colour chip, and then apply adjustments - hue, saturation and lightness - to accent, modify, or tone down parts of a clip. Vector based grading is more accurate than HLS based grading as corrections are applied to specific colours that can be made up of multiple vectors. In Color Finale there are six of them, including CMY and RGB. This tool lets you adjust colours selectively - the so-called secondaries. Vector gradingįinally, for grading secondaries you’ll use the vector grading tool. I personally prefer the individual Color Finale curves as they are much easier to manipulate. They work like the curves in Photoshop and DaVinci Resolve, which is different from Red Giant’s Colorista III, where you have one curve with luminance and RGB values superimposed. ![]() The curves are great to control contrast or shift the footage to a specific hue. With the mouse you drag a white “puck” to change the colour. There are three sliders to control the luminance per tone range - or wheel - in addition to a slider for overall saturation adjustments. The colour wheels and curves make up for the Telecine tools in Color Finale. But starting without ever loading a LUT is possible too. When you subsequently load the plugin in Final Cut Pro X, you can start with selecting a LUT to map your footage from the camera’s into the desired colour space. OSIRIS and ImpulZ that accurately emulate the look of 35mm film) and use with Color Grading Central’s LUT Buddy and adding them to Color Finale in stand-alone mode. You can start with any of the tools, but one of the most obvious is to start by converting the colour grading LUTs you already have created or purchased (e.g. Layers can be renamed for convenience as well. Re-ordering curve and wheel adjustments will give different results. The layers can be re-ordered by dragging as well. A row of icons allows access to these tools.Įach of the tools represent a layer when used and each tool can thus be used several times if needed. The interface itself is deceptively simple and comes with three colour wheels, curves, a LUT selector and vector grading tools. So, Color Finale has its roots in award-winning cinema and it shows. The plugin has two components: a stand-alone app, which has a module to manage LUTs from Color Grading Central, and the actual plugin itself, which when dragged from the Inspector in Final Cut Pro X, opens a free-floating window. The result is Color Finale, a plugin specially developed by colour scientists for colour scientists - and the rest of us - using Final Cut Pro X.Ĭolor Finale has been co-developed by a software engineer with a background in developing systems for colour grading and digital intermediate and credits in A-list blockbuster movies. Denver Riddle from Color Grading Central does. Our background and expertise is built upon 20+ years experience building high-end color correction systems, engaging with the world’s top Colorists, and working on tier 1 movies.Few developers understand what a truly professional colour grading solution for Final Cut Pro X should include. ![]() ![]() The fastest color grading software for Final Cut Pro XA simple interface, efficient workflow, real-time processing, and semi-automated functionality, make color grading on Color Finale™ 2 incredibly fast.Ĭolor grading and advanced image processing, all in one package, and all on your Final Cut Pro X timeline. Color Finale™ 2 has been designed to be really simple to use yet contains a complete professional color tool set familiar to professional Colorists. Simplicity, Colour Expertise, Experience …combinedĪrchitected for vloggers, videographers, Editors and Colorists. Professional Color Grading in Final Cut Pro X
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